Type: A Visual History of Typefaces and Graphic Styles Vol 1
If you are a fan of typography, you will love this book. Type: A Visual History of Typefaces and Graphic Styles Vol 1 is a stunning collection of fonts and graphic styles from 1628 to the mid-20th century. This book showcases the evolution of the printed letter through hundreds of specimens in roman, italic, bold, semi-bold, narrow, and broad fonts, as well as borders, ornaments, and initial letters.
This book is derived from a distinguished Dutch collection of type specimens, which was acquired by the Museum Plantin-Moretus in Antwerp in 2009. The collection includes rare and exquisite examples of type design from famous printers and typographers such as Christoffel Plantin, Claude Garamond, Robert Granjon, Hendrik van den Keere, William Caslon, John Baskerville, Giambattista Bodoni, Firmin Didot, and many more.
Type: A Visual History of Typefaces and Graphic Styles Vol 1 is not only a visual feast for the eyes, but also a valuable reference for anyone interested in the history and aesthetics of typography. The book includes an introduction by Alston W. Purvis, a professor of graphic design at Boston University, and a detailed index of type designers, printers, publishers, and foundries. The book also comes with an exclusive access code to Taschen's online image library, where you can download high-resolution scans of all the specimens for personal or professional use.
Whether you are a graphic designer, a typographer, a student, or a collector, you will find this book to be an indispensable source of inspiration and information. Type: A Visual History of Typefaces and Graphic Styles Vol 1 is a must-have for anyone who loves letters.In addition to the three major type families of black letter, roman, and italic, typography has also seen the development of various styles and movements that have influenced the design and use of typefaces. Some of these include:
The Renaissance: The revival of classical learning and art in the 15th and 16th centuries led to a renewed interest in the ancient Roman letterforms, which were more legible and elegant than the Gothic scripts. The first roman typefaces were designed by Italian printers such as Nicolas Jenson, Aldus Manutius, and Francesco Griffo, who also introduced the first italic typeface as a way to save space and imitate humanist handwriting.
The Baroque: The 17th and 18th centuries saw the emergence of more ornate and expressive typefaces, reflecting the artistic and cultural trends of the time. The French typographer Claude Garamond created some of the most influential and widely used typefaces of this period, such as Garamond and Garamond Italic. Other notable designers include William Caslon, John Baskerville, Giambattista Bodoni, and Firmin Didot, who experimented with contrast, weight, and serifs to create elegant and refined typefaces.
The Industrial Revolution: The 19th century brought about significant changes in printing technology and typography, as mechanization, mass production, and new media such as newspapers and advertising demanded new types of fonts. The typographers of this era created bold, eye-catching, and decorative typefaces, such as slab serifs, sans serifs, fat faces, Egyptians, Clarendons, and grotesques. Some of the most famous examples are Bodoni Poster, Didot Display, Clarendon, and Helvetica.
The Modernist Movement: The 20th century witnessed a radical transformation in typography, as designers sought to break away from tradition and create new forms of expression and communication. The modernist movement embraced simplicity, clarity, functionality, and experimentation in typography, influenced by movements such as Bauhaus, De Stijl, Futurism, Dadaism, Constructivism, and Art Deco. Some of the pioneers of modern typography include Jan Tschichold, Paul Renner, Herbert Bayer, El Lissitzky, Piet Zwart, and Eric Gill.
Typography continues to evolve in the 21st century, as new technologies, media, and cultural influences shape the design and use of typefaces. Typography is not only a useful art but also a creative one that can convey meaning, emotion, and identity through the manipulation of form and space. ec8f644aee